The matrix can even modulate itself perfect for sonic experiments, but it can be a test of memory (yours, not the synth's) remembering just what it is you're trying to modulate. #Access virus patches modThe Mod Matrix and LFO sections are comprehensive - 18 mod matrix slots, 3 LFO's (which can do double duty as simple third envelopes - although a 3rd envelope feature isn't expressly provided) which can do all the usual LFO tricks. To dismiss it as a dance floor-only synth would be criminal, however. The Virus really IS several genres of dance music as much a signature sound as the saxophone to modern be-bop. They whine and screech when you crank up the resonance into the self-oscillating regions as well! Regardless of whether the filter emulations perfectly copy the originals, or any preconceptions regarding what is analog or digital, these filters are a modern classic and can be argued to have already made it onto even more vinyl acreage than the venerable Minimoog. Most would agree that the Virus sounds dark and ominous rather than the bright, crisp sounds of the Clavias and Korgs. These filters are what really make the synth and impart a definite character to the Virus. There are dual filters with multiple modes from Lowpass, Hipass, Bandpass, Bandreject to more DSP-intensive emulations of analog 1-, 2- and 4-pole modes (the so-called Minimoog emulation). The common parameters are on the front panel, and the most in-depth tweaking lies no more than four menu-pages under the hood. Fortunately, the menus are logically laid out and fairly simple. There'll be a bit of menu diving though - the TI may have more physical controls than any Virus before it, but options here outweigh controllers. If you want it on a digital synth oscillator section, then this has it: 3 oscillators, multiple modes, FM (with several FM applications), oscillator sync, an additional subosc and a noise source. The supersaw mode is present and allows big, spreadable saws with a huge unison effect - you can dial in over 100 oscillators per note if your mix (and your monitors) can take it. The TI includes several oscillator sources from simple sine/tri/saw through to wavetables (63 to choose from, nicely varied the 64th wavetable is actually the pure sine wave) and also granular and formant sources based on the wavetables. It could easily be written off as a Virus C with added supersaw, but the many improvements suggest revolution, not evolution! Arguably the pinnacle of DSP-based digital synthesis at the moment.
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